August 2026
On restraint, and why we shoot less than we used to
Notes on cutting a 400-frame session down to twelve images, and why fewer, stronger photographs serve the client better than a flood of options.
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Notes on cutting a 400-frame session down to twelve images, and why fewer, stronger photographs serve the client better than a flood of options.
Read entry →Four days chasing light along the Tagus, a broken tripod, and the case for arriving somewhere with no shot list at all.
Read entry →Why one window and a single reflector still outperform half the modifiers in the cupboard, most of the time.
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